|
Here are all the paintings of WEENIX, Jan 01
| ID |
Painting |
Oil Pantings, Sorted from A to Z |
Painting Description |
| 7178 |
 |
After the Hunt |
1665
Oil on wood, 44,7 x 34,5 cm
Alte Pinakothek, Munich |
| 7173 |
 |
Ancient Ruins |
Oil on canvas, 80,5 x 68,3 cm
Museum of Fine Arts, Budapest |
| 7174 |
 |
Ancient Ruins |
Oil on canvas
Museum of Fine Arts, Budapest |
| 7179 |
 |
Boar Hunt |
1703-16
Oil on canvas, 345 x 206 cm
Alte Pinakothek, Munich |
| 22388 |
 |
Boar Hunt (mk14) |
1703/16
Oil on canvas,345 x 206 cm
Alte Pinakothek,Munich |
| 7177 |
 |
Dead Hare and Partridges |
c. 1690
Oil on canvas, 91 x 74 cm
Wallace Collection, London |
| 7175 |
 |
Dead Partridge |
Oil on canvas, 50,6 x 43,5 cm
Mauritshuis, The Hague |
| 37793 |
 |
Dead Partridge |
sn02
Undated
Oil on canvas
50.6x43.5cm
|
| 28506 |
 |
Detail of Ancient Ruins |
Oil on canvas
Museum of Fine Arts, Budapest |
| 22387 |
 |
Game Still Life Before a Landscape with Bensberg Palace (mk14) |
1703/16
Oil on canvas,345 x 561.5 cm
Alte Pinakothek,Munich |
| 22389 |
 |
Game Still Life with Statue of Diana (mk14) |
1703/16
Oil on canvas 345 x 214 cm
Alte Pinakothek,Munich |
| 7180 |
 |
Game Still-Life with Statue of Diana |
1703-16
Oil on canvas, 345 x 214 cm
Alte Pinakothek, Munich |
| 97607 |
 |
Scenery from Ojcow |
1844(1844)
Medium oil on canvasboard
Dimensions 42 x 54 cm
cyf |
| 7176 |
 |
The Ford |
1647
Oil on canvas, 100 x 131,5 cm
The Hermitage, St. Petersburg |
|
|
| WEENIX, Jan
|
| Dutch Baroque Era Painter, 1621-ca.1663
Painter and draughtsman, son of Jan Baptist Weenix. Jan probably received his first instruction as a painter from his father, and it is possible that he helped finish certain of his father's works. He probably remained in Utrecht after his father's death. By 1664 he had become a member of the Guild of St Luke in Utrecht without, however, having submitted the required entrance painting, which he provided by 1668. There are several documented references to Jan in the late 1660s. He inherited a legacy along with his uncle, the painter Barent Micker, and other family members in 1667, at which time Gillis, his younger brother, apparently still required a guardian. He received another legacy in 1668, the year of his marriage, and in 1669 served as a witness for the inventory of the painter Jacob de Hennin (1629-c. 1688) in The Hague.
|
|
